ABOVE Show
ACAPELLA ACT ACTOR ACTOR AUDIENCE RELATIONSHIP AD
LIB In the past, any business or words that were not in the scripted act 'as known' would be seen as a breach of contract
by some No.1 Managements. ANAGNORISIS ANIMATEUR ANNOUNCER ANTAGONIST ASIDE ASSISTANT DIRECTOR AT RISE AUDITION BEAT BELT VOICE BIBLE BIT PART BOB FOSSE BREAK A LEG BRECHT / BRECHTIAN* BROADWAY CABOTINAGE CALLBACKS CAMEO CANTASTORIA CAST CASTING CATHARSIS CENTRE CENTRE Blocking Notation CENTRE
STAGE Also known as MID STAGE. CHARACTER CHARACTERISATION CHEAT OUT CHEWING THE SCENERY CHOREOGRAPHY CHORUS CLIMAX COD PANTO COLOUR-BLIND CASTING COMIC
RELIEF COMMEDIA DELL’ARTE COMPANY STAGE MANAGER CONCEPTUAL DIRECTOR CONFLICT CONSCIENCE ALLEY COUP DE THEATRE CREATIVE TEAM DÉNOUEMENT DIALOGUE DICTION DIDACTIC DOWNSTAGE TURN DRAMATIC IRONY DRAMATIC
PAUSE DUOLOGUE EDUCATION
DIRECTOR *If you need more information about Education Director, please email with specific details of what you are looking for* EIGHT ASPECTS OF THEATRE ENSEMBLE EPILOGUE EQUITY EULOGY EXEUNT EXODOS EXPOSITION EXPRESSIONISM EYE LINE FALLING ACTION FARCE FIFTH BUSINESS FIGHT DIRECTOR FLUFF FOIL FORELOOK FORESHADOWING FOUND SPACE FOURTH WALL FREEZE FRAME FRENCH SCENE GENDER
SWAPPING GENRE GOD MIC GRAND CURTAIN GRAND GUIGNOL HAM HEADSHOT HIT YOUR MARK HOLDING FOR A
LAUGH HOT SEATING IMPROVISATION INGENUE INSTALLATION INTENTION INTERIOR MONOLOGUE INTERVAL INTIMACY DIRECTOR LAMDA LEAD LEGIT
VOICE LICENCE LINE-TOPPING LITERARY
MANAGER LIVE ART MAGIC IF MAKE-UP MANTLE OF THE EXPERT MASK MEISNER TECHNIQUE MELODRAMA METHOD ACTING MIRACLE PLAY MIRRORING MISE EN SCÉNE MODERNISM MONOLOGUE MORALITY
PLAY MOTIF MOTIVATION MYSTERY PLAY MYTH NARRATOR NATURALISM Heightened Naturalism involves exaggerating the natural elements of the scene for dramatic (or comedic) purposes. NOISES OFF NOTES OBSTACLE OFF-OFF BROADWAY OLIO OUTSIDE EYE OVERTURE PACE PER DIEMS PERIPETEIA PHYSICAL THEATRE PIANO-VOCAL PLAYLET PLAYWRIGHT POISE POST-SHOW DISCUSSION POSTER Other advertising materials could include fliers (small versions of the poster, with additional information on the back), newspaper adverts, radio adverts, TV spots, T shirts, other apparel (baseball caps, beanies) etc. The UK design agency Dewynters is responsible for many iconic posters for West End shows - their approach is to make the poster image strong enough to be seen even if it's passing by at speed (e.g. on a bus or being seen from a car). Their most famous posters (e.g. Phantom of the Opera or Cats) are successful due to the strong 'logo' design which carries a simple message about the show, and can be recognised at a glance. Italian: Locardina UK National Theatre Posters Gallery UK Theatre Posters by Dewynters at the Victoria & Albert Museum PREPRODUCTION PREVISUALISATION PRODUCTION DESK PROLOGUE PROTAGONIST PULL FOCUS R&D RADA READ THROUGH REALISM REHEARSAL RELAXED
PERFORMANCE RESOLUTION REVIVAL RISING ACTION RP / RECEIVED PRONUNCIATION RUN-THROUGH SCRIPT SHOWING SITE-SPECIFIC THEATRE SITZPROBE SKIN MONEY SLAPSTICK SLATE SOLILOQUY SPAA SPEAR CARRIER SPIEL STAGE FRIGHT STAGE LEFT /
RIGHT Stage Right = OP (Opposite Prompt) French: Cote Jardin, Netherlands: Toneel Links (translates to Stage Left!) Stage Left = PS (Prompt Side) French: Cote Cour, Netherlands: Toneel Rechts (translates to Stage Right!). NB: The Netherlands, Portugal and Germany use the opposite to the rest of Europe; i.e. Stage Left UK = Stage Right. The directions are seen from the director's and audience's perspective, NOT the actors. In Portugal Isquerda (left) is the equivalent of UK Stage Right and Direita (right) is the equivalent of UK Stage Left. STANCE STEP OUT / STEP IN STOCK CHARACTER STURM UND DRANG SUBPLOT SUBTEXT* SUPERNUMARY SUSPENSION OF DISBELIEF SWING SYMBOLISM TABLE READ TELESCOPING THEATRE OF CRUELTY THEATRE OF THE ABSURD THESPIAN THOUGHT TRACKING TIE TRAGEDY TRAGI-COMEDY / TRAGICOMEDY TRIGGER
WARNINGS TRYOUT TURN TYPECAST UNIT OF ACTION VERBATIM THEATRE VERFREMDUNGSEFFEKT VIEWPOINTS VIGNETTE WALK-ON WARM-UP WORKING REHEARSAL Which of the following is a function of the verbal component of a message strategy?Which of the following is a function of the verbal component of a message strategy? It contains guidelines for what the messages should say. Which of the following is true of the nonverbal component of a message strategy? It describes the relationship of the graphics to the media in which the message will appear.
Is the document that serves as the creative team's guide for writing and producing the ad?A creative brief is a document that outlines the creative approach and deliverables for a marketing or advertising campaign.
What are the terms copy platform and copy strategy Other names for?A creative strategy is also referred to as a copy strategy. TRUE: The creative strategy may be referred to as a creative brief, a work plan, a copy strategy, or a copy platform. The creative strategy is a simple written statement of the most important issues to be considered in the development of an ad or campaign.
What does it mean when an advertising creative says an ad should resonate?We define resonance as the ability of your advertising to break through clutter, deliver your message to consumers and change consumers' attitudes or opinions about your brand.
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