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Contents

  • 1 Performances
    • 1.1 Recordings
      • 1.1.1 Aria: 'Erbarme dich, mein Gott' (Part II, No.47)
        • 1.1.1.1 For Accordion Orchestra (De Bra)
        • 1.1.1.2 For Harmonica and Guitar (Marcoux)
      • 1.1.2 Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)
        • 1.1.2.1 For Harmonica and Guitar (Marcoux)
      • 1.1.3 Choral: 'O Haupt voll Blut und Wunden' (Part II, No.63)
        • 1.1.3.1 For Guitar (Alink)
    • 1.2 Naxos
    • 1.3 Accompaniments
      • 1.3.1 Piano
      • 1.3.2 Continuo
    • 1.4 Synthesized/MIDI
      • 1.4.1 Selections
        • 1.4.1.1 For Organ
      • 1.4.2 Chorales
      • 1.4.3 Ich will dir mein Herze schenken (Part I, No.19)
        • 1.4.3.1 For Trumpet and Organ (Rondeau)
      • 1.4.4 Recitative: Am Abend da es kühle war (Part II, No.74)
  • 2 Sheet Music
    • 2.1 Full Scores
      • 2.1.1 Complete
      • 2.1.2 Selections
      • 2.1.3 Aria: 'Erbarme dich, mein Gott' (Part II, No.47)
      • 2.1.4 Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)
      • 2.1.5 Aria: 'Mache dich, mein Herze, rein' (Part II, No.65)
      • 2.1.6 Recitative: 'Am Abend da es kühle war' (Part II, No.74)
    • 2.2 Parts
      • 2.2.1 Complete
        • 2.2.1.1 Coro (Orchestra) 1
        • 2.2.1.2 Coro (Orchestra) 2
        • 2.2.1.3 Keyboard Continuo (Organ, Harpsichord)
      • 2.2.2 Selections
      • 2.2.3 Aria: Aus Liebe will mein Heiland sterben (No.58)
    • 2.3 Vocal Scores
      • 2.3.1 Complete
      • 2.3.2 Selections
    • 2.4 Arrangements and Transcriptions
      • 2.4.1 Complete
        • 2.4.1.1 For Piano 4 hands (Jadassohn)
        • 2.4.1.2 For Piano (Bagge)
        • 2.4.1.3 For Piano (Jadassohn)
      • 2.4.2 Selections
        • 2.4.2.1 For Double Reed Quartet (Notenschreiber)
        • 2.4.2.2 For Organ (Boniteau)
        • 2.4.2.3 For Organ (Schaab)
        • 2.4.2.4 For Piano (Willner)
      • 2.4.3 Coro: Kommt, ihr Töchter (Part I, No.1)
        • 2.4.3.1 For 3 Violins, 2 Violas and 2 Cellos (Bartoli)
      • 2.4.4 Aria: Ich will dir mein Herze schenken (Part I, No.19)
        • 2.4.4.1 For Double Reed Quartet (Notenschreiber)
        • 2.4.4.2 For Trumpet and Organ (Rondeau)
      • 2.4.5 Chorale: Ich will hier bei dir stehen (Part I, No.23)
        • 2.4.5.1 For Male Chorus (O'Brien)
      • 2.4.6 Aria: Ich will bei meinem Jesu wachen (Part I, No.26)
        • 2.4.6.1 For Organ (Brunet)
      • 2.4.7 Chorale: Wer hat dich so geschlagen (Part II, Nos.37/44)
        • 2.4.7.1 For Mixed Chorus (Sothilander)
      • 2.4.8 Aria: Gebt mir meinem Jesum wieder (Part II, No.42)
        • 2.4.8.1 For Piano (Zadora)
      • 2.4.9 Aria: 'Erbarme Dich' (Part II, No.47)
        • 2.4.9.1 For Accordion Orchestra (De Bra)
        • 2.4.9.2 For Flute or High Voice and Piano (Verpoorten)
        • 2.4.9.3 For Cello and Piano (Roth)
        • 2.4.9.4 For Alto and Flute (Alici)
        • 2.4.9.5 For Alto and Organ (Brunet)
        • 2.4.9.6 For Harmonica and Guitar (Marcoux)
        • 2.4.9.7 For Organ (Righetti)
        • 2.4.9.8 For Piano (Jadassohn)
        • 2.4.9.9 For Piano (Köhler)
      • 2.4.10 Befiehl du deine Wege (Part II, No.53)
        • 2.4.10.1 For 5 Flutes (Kamioka)
      • 2.4.11 Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)
        • 2.4.11.1 For 4 Flutes (Kamioka)
        • 2.4.11.2 For Harmonica and Guitar (Marcoux)
      • 2.4.12 Choral: 'O Haupt voll Blut und Wunden' (Part II, No.63)
        • 2.4.12.1 For Orchestra (Gordon)
        • 2.4.12.2 For Guitar (Alink)
        • 2.4.12.3 For Guitar (Beuming)
      • 2.4.13 Aria: 'Mache dich, mein Herze, rein' (Part II, No.65/75)
        • 2.4.13.1 For Bass voice and Organ (Jolliet)
      • 2.4.14 Final Chorus (Part II, No.78)
        • 2.4.14.1 For Double Reed Quartet (Notenschreiber)
        • 2.4.14.2 For Piano (Berstis)
    • 2.5 Other
      • 2.5.1 Chorus: 'Bin ich gleich von dir gewichen' (Part II, No.48)
  • 3 General Information
  • 4 Navigation etc.

Performances

Recordings

⇒ 5 more: Side 2: Nos.18-31 • Side 3: Nos.32-41 • Side 4: Nos.42-57 • Side 5: Nos.58-68 • Side 6: Nos.69-End

Performers Erich Majkut, Harold Buchsbaum, Laurence Dutoit, Maria Nussbaumer, Otto Wiener - Akademie Kammerchor - Wiener Kammerorchester - dir. Ferdinand Grossmann
Publisher Info. Club national du disque CND 833, 1963.
Copyright

Public Domain - Non-PD US [tag/del]

Misc. Notes Audio digital d'après microsillon - Collection personnelle
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Aria: 'Erbarme dich, mein Gott' (Part II, No.47)

For Accordion Orchestra (De Bra)

Performers Accordeana Accordion Orchestra
Publisher Info. Helmond: Accordeana Accordion Orchestra
Copyright

Creative Commons Attribution 4.0 [tag/del]

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For Harmonica and Guitar (Marcoux)

Performers Clakos (harmonica chromatic in C)
Ladesneffous (guitar)
Publisher Info. Jean-François Marcoux
Copyright

Creative Commons Attribution 4.0 [tag/del]

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Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)

For Harmonica and Guitar (Marcoux)

Performers Clakos (harmonica chromatic in C)
Ladesneffous (guitar)
Publisher Info. Jean-François Marcoux
Copyright

Creative Commons Attribution 4.0 [tag/del]

Misc. Notes complete recording of transcription for harmonica and guitar
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Choral: 'O Haupt voll Blut und Wunden' (Part II, No.63)

For Guitar (Alink)

Naxos

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Accompaniments

Piano
Continuo

Synthesized/MIDI

Selections

For Organ

Chorales

⇒ 11 more: Ich bin's, ich sollte büßen • Erkenne mich, mein Hüter • Ich will hier bei dir stehen • Was mein Gott will, das g'scheh' all Zeit • Mir hat die Welt trüglich gericht't mit Lügen • Wer hat dich so geschlagen • Bin ich gleich von dir gewichen • Befiehl du deine Wege • Wie wunderbarlich ist doch diese Strafe! • O Haupt voll Blut und Wunden • Wenn ich einmal soll scheiden

Performers Synthesized MIDI
Publisher Info. André Van Ryckeghem
Copyright

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Ich will dir mein Herze schenken (Part I, No.19)

For Trumpet and Organ (Rondeau)

Recitative: Am Abend da es kühle war (Part II, No.74)

Sheet Music

Full Scores

Complete

Publisher. Info. Holograph manuscript, n.d.[1736-40].
Copyright

Public Domain [tag/del]

Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 25
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Publisher. Info. Holograph manuscript, 1740.
Copyright

Public Domain [tag/del]

Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 25
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Publisher. Info. Holograph manuscript, 1743-46.
Copyright

Public Domain [tag/del/mrg]

Misc. Notes color scan, facing pages
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Editor First edition (Score)
Publisher. Info. Berlin: A.M. Schlesinger, 1830. Plate 1570.
Copyright

Public Domain [tag/del]

Misc. Notes Universitäts- und Landesbibliothek Bonn (D-BNu): E 4' 756
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⇒ 6 more: Part 1 • Part 1 (lower quality) • Part 2 • Part 2 (lower quality) • Anhang: 29a. Jesum laß ich nich von mir • Anhang: 57. Komm süßes Kreuz, so will ich sagen

Editor Alfred Dürr (1918-2011)
Max Schneider (1875-1967)
Publisher. Info. Neue Bach-Ausgabe, Serie II, Band 5 (pp.1-309)
Kassel: Bärenreiter Verlag, 1972. Plate BA 5038.

URTEXT EDITION 
This “urtext” or “scholarly” (scientific) edition was published at least 25 years ago in Germany and thus is public domain in its country of origin. Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. It may not be public domain elsewhere, however. More information about this can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

Copyright

Public Domain - Non-PD US [tag/del/mrg]

Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches. This is one of the editions that shares the fortunes of both sufficient awareness of textual critique and fidelity and beautiful hand engraving of the highest quality. A rare treasure, completely worth purchasing the cloth-bound printed version. Max Schneider did some preliminary work for this volume during his lifetime before publication.
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Selections

Publisher. Info. Manuscript, 1846.
Copyright

Public Domain [tag/del]

Misc. Notes Universitätsbibliothek der Eberhard Karls Universität (D-Tu): Mk 52-1
This file is part of the Submission Project.
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Aria: 'Erbarme dich, mein Gott' (Part II, No.47)

Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)

Aria: 'Mache dich, mein Herze, rein' (Part II, No.65)

Recitative: 'Am Abend da es kühle war' (Part II, No.74)

Parts

Complete

Coro (Orchestra) 1

⇒ 7 more: Oboe 1, 2 (both also Oboe d'amore, Oboe da caccia) • Bassoon • Violins I • Violins II • Violas • Cellos/Basses, Cello solo (for Viola da gamba solo) • Cellos/Basses

Publisher. Info. Leipzig: Breitkopf und Härtel, No.Orch.-B. 4950, n.d.(ca.1910).
Reprinted New York: E.F. Kalmus, n.d.(1933-70). Catalog A2490.
Copyright

Public Domain [tag/del/mrg]

Misc. Notes These files are part of the Orchestra Parts Project.
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Coro (Orchestra) 2

⇒ 6 more: Oboe 1, 2 (both double on Oboe d'amore) • Bassoon • Violins I • Violins II • Violas • Cellos/Basses

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1910). Plate Orch.-B. 4950.
Reprinted New York: E.F. Kalmus, n.d.(1933-70). Catalog A2490.
Copyright

Public Domain [tag/del/mrg]

Misc. Notes These files are part of the Orchestra Parts Project.
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Keyboard Continuo (Organ, Harpsichord)

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1910). Plate Orch.-B. 4950.
Reprinted New York: E.F. Kalmus, n.d.(1933-70). Catalog A2490.
Copyright

Public Domain [tag/del/mrg]

Misc. Notes These files are part of the Orchestra Parts Project.
*Organ 1 is cued with the Organ 2/Harpsichord part to facilitate performance with a single instrument.
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Selections

Publisher. Info. Manuscript, 1846.
Copyright

Public Domain [tag/del]

Misc. Notes Universitätsbibliothek der Eberhard Karls Universität (D-Tu): Mk 52-2
This file is part of the Submission Project.
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Aria: Aus Liebe will mein Heiland sterben (No.58)

Vocal Scores

Complete

Editor First edition
Publisher. Info. Berlin: Schlesinger, n.d.[1830]. Plate 1577.
Copyright

Public Domain [tag/del]

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Arranger Julius Stern (1820–1883)
Language German
Publisher. Info. Leipzig: C.F. Peters, n.d.(ca.1890). Plate 7644.
Copyright

Public Domain [tag/del/mrg]

Misc. Notes Bar numbers added via Python script using PyPdf
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Selections

Arrangements and Transcriptions

Complete

For Piano 4 hands (Jadassohn)
For Piano (Bagge)

Arranger Selmar Bagge (1823-1896)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1876). Plate V.A. 12.
Copyright

Public Domain [tag/del]

Recordings Piano performance by Ruoshi Sun:

1. Kommt, ihr Töchter, helft mir klagen
6. Buß und Reu
8. Blute nur, du liebes Herz
13. Ich will dir mein Herze schenken
15, 17, 44, 54, 62 (study on O Haupt, voll Blut und Wunden)
29. O Mensch, bewein dein Sünde groß
39. Erbarme dich, mein Gott, um meiner Zähren Willen
42. Gebt mir meinen Jesum wieder
65. Mache dich, mein Herze, rein
68. Wir setzen uns mit Tränen nieder

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For Piano (Jadassohn)

Selections

For Double Reed Quartet (Notenschreiber)
For Organ (Boniteau)
For Organ (Schaab)
For Piano (Willner)

PDF scanned by RTM
RTM (2011/2/19)

⇒ 8 more: Aria: Buß und Reu (Part I, No.10) • Aria: Blute nur (Part I, No.12) • Duet: Er antwortete und sprach (Part I, No.17) • Aria: Ich will dir mein Herze schenken (Part I, No.19) • Aria and Chorus: Ach, nun ist mein Jesus hin (Part II, No.36) • Aria: Erbarme Dich (Part II, No.47) • Aria: Gebt mir meinen Jesum wieder (Part II, No.51) • Final Chorus (Part II, No.78)

PDF scanned by RTM
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PDF scanned by RTM
RTM (2011/2/19)

PDF scanned by RTM
RTM (2011/2/19)

PDF scanned by RTM
RTM (2011/2/19)

PDF scanned by RTM
RTM (2011/2/19)

PDF scanned by RTM
RTM (2011/2/20)

PDF scanned by RTM
RTM (2011/2/20)

PDF scanned by RTM
RTM (2011/2/20)

Arranger Arthur Willner (1881-1959)
Publisher. Info. Corona-Collection. J. S. Bach. II Piano Solo C. 332
Vienna: Universal Edition, n.d.(ca.1931). Plate C.C. 99.
Copyright

Public Domain - Non-PD EU [tag/del/mrg]

Misc. Notes Scanned at 600dpi grayscale, converted to monochrome.
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Coro: Kommt, ihr Töchter (Part I, No.1)

For 3 Violins, 2 Violas and 2 Cellos (Bartoli)

Aria: Ich will dir mein Herze schenken (Part I, No.19)

For Double Reed Quartet (Notenschreiber)
For Trumpet and Organ (Rondeau)

Chorale: Ich will hier bei dir stehen (Part I, No.23)

For Male Chorus (O'Brien)

Aria: Ich will bei meinem Jesu wachen (Part I, No.26)

For Organ (Brunet)

Chorale: Wer hat dich so geschlagen (Part II, Nos.37/44)

For Mixed Chorus (Sothilander)

Aria: Gebt mir meinem Jesum wieder (Part II, No.42)

For Piano (Zadora)

Aria: 'Erbarme Dich' (Part II, No.47)

For Accordion Orchestra (De Bra)
For Flute or High Voice and Piano (Verpoorten)
For Cello and Piano (Roth)
For Alto and Flute (Alici)
For Alto and Organ (Brunet)
For Harmonica and Guitar (Marcoux)
For Organ (Righetti)
For Piano (Jadassohn)
For Piano (Köhler)

Arranger Louis Köhler (1820–1886)
Publisher. Info. Braunschweig: Henry Litolffs Verlag, n.d. Plate 3885. (pp.29-31)
Copyright

Public Domain [tag/del]

Misc. Notes Excerpt from a piano reduction of the complete work
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Befiehl du deine Wege (Part II, No.53)

For 5 Flutes (Kamioka)

Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)

For 4 Flutes (Kamioka)
For Harmonica and Guitar (Marcoux)

Choral: 'O Haupt voll Blut und Wunden' (Part II, No.63)

For Orchestra (Gordon)

Arranger Philip Gordon (1894-1983)
Publisher. Info. New York: Bourne Co., 1961.
Copyright

Public Domain - Non-PD Canada [tag/del]

Misc. Notes Titled: Chorale Prelude - "From Ill do thou defend us"

In the USA this work is most likely in the public domain because it was published without a compliant copyright notice, no renewal was found after a thorough search of the Catalog of Copyright Entries, or it was either ineligible for "restoration" under GATT/TRIPs and/or no record of an NIE filing was found in the online records of the US Copyright Office.

Please obey the copyright laws of your country. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

This item, public domain in its country of origin, is possibly likewise public domain in the EU due to the EU's implementation of Rule of the Shorter Term for non-EU works. This EU ruling might be superseded by bilateral treaties still in force between some EU countries and countries outside the EU (notably the USA).
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

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3 herze gleich 60 herz stern gleich 26

For Guitar (Alink)
For Guitar (Beuming)

Aria: 'Mache dich, mein Herze, rein' (Part II, No.65/75)

For Bass voice and Organ (Jolliet)

Final Chorus (Part II, No.78)

For Double Reed Quartet (Notenschreiber)
For Piano (Berstis)

Other

Chorus: 'Bin ich gleich von dir gewichen' (Part II, No.48)

Editor Frieder Rempp (1942-)
Publisher. Info. Neue Bach-Ausgabe, Serie III. Motetten, Choräle, Lieder,
Band 2.1. Choräle und geistliche Lieder, Teil 1 (pp.95)
Kassel: Bärenreiter Verlag, 1991. Plate BA 5075.

URTEXT EDITION 
This “urtext” or “scholarly” (scientific) edition was published at least 25 years ago in Germany and thus is public domain in its country of origin. Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. It may not be public domain elsewhere, however. More information about this can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

Copyright

Public Domain - Non-PD US [tag/del]

Misc. Notes From Dietel Sammlung as "Jesu, meiner Seelen Wonne" (No.139). More details. 600 dpi. Page size is 10.00 x 12.688 inches.
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General Information

Work Title Matthäuspassion
Alternative. Title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum ; St. Matthew Passion
Name Translations Passione secondo Matteo; Матеус пасион; Passió segons sant Mateu; Matoušovy pašije; Matthäus-Passion; Κατά Ματθαίον Πάθη; St Matthew Passion; Pasión según San Mateo; Matteus-passio; Passion selon Saint Matthieu; מתאוס פסיון; マタイ受難曲; 마태오 수난곡; Passio secundum Matthaeum; Matteuspasjonen av Bach; Pasja według św. Mateusza; Paixão Segundo São Mateus, BWV 244; Страсти по Матфею; Matteuspassionen; Страсті за Матвієм; 马太受难曲; Matteuspasjonen; Máté-passió; D Mattäus-Bassioon vom Johann Sebastian Bach; Fulangas Naomh Mata; Passion thánh Matthew; Matúšove pašie; Matteuse passioon; Patimile după Matei
Name Aliases Pasion segun San Mateo; BMW 244; Matthaus-Passion (J.S. Bach)
Authorities WorldCat; Wikipedia; VIAF: 1371147270361735700006; LCCN: n82024093; GND: 300009798; SUDOC: 030218012; BNF: 140094767; NLA: 35183965; BNE: XX2221665
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No.BWV 244 ; BC D3b
I-Catalogue NumberI-Cat. No.IJB 391
Key E minor
Movements/SectionsMov'ts/Sec's2 parts in 68 numbers (numbering varies according to edition, NBA/BWV below):

  • Part I
1/1. Kommt, ihr Töchter, helft mir klagen chorale O Lamm Gottes, unschuldig as cantus firmus 2/2. Da Jesus diese Rede vollendet hatte 3/3. Herzliebster Jesu 4a/4. Da versammleten sich die Hohenpriester 4b/5. Ja nicht auf das Fest 4c/6. Da nun Jesus war zu Bethanien 4d/7. Wozu dienet dieser Unrat 4e/8. Da das Jesus merkete 5/9. Du lieber Heiland du 6/10. Buß und Reu 7/11. Da ging hin der Zwölfen einer 8/12. Blute nur, du liebes Herz! 9a/13. Aber am ersten Tage der süßen Brot 9b/14. Wo willst du, daß wir dir bereiten 9c/15. Er sprach: Gehet hin in die Stadt 9d/15. Und sie wurden sehr betrübt 9e/15. Herr, bin ich's? 10/16. Ich bin's, ich sollte büßen 11/17. Er antwortete und sprach 12/18. Wiewohl mein Herz in Tränen schwimmt 13/19. Ich will dir mein Herze schenken 14/20. Und da sie den Lobgesang gesprochen hatten 15/21. Erkenne mich, mein Hüter 16/22. Petrus aber antwortete 17/23. Ich will hier bei dir stehen 18/24. Da kam Jesus mit ihnen zu einem Hofe 19/25. O Schmerz! Hier zittert das gequälte Herz 20/26. Ich will bei meinem Jesu wachen 21/27. Und ging hin ein wenig 22/28. Der Heiland fällt vor seinem Vater nieder 23/29. Gerne will ich mich bequemen 24/30. Und er kam zu seinen Jüngern 25/31. Was mein Gott will, das g'scheh allzeit 26/32. Und er kam und fand sie aber schlafend 27a/33. So ist mein Jesus nun gefangen 27b/33. Sind Blitze, sind Donner in Wolken verschwunden? 28/34. Und siehe, einer aus denen 29/35. O Mensch, bewein dein Sünde groß
  • Part II
30/36. Ach! nun ist mein Jesus hin! 31/37. Die aber Jesum gegriffen hatten 32/38. Mir hat die Welt trüglich gericht' 33/39. Und wiewohl viel falsche Zeugen herzutraten 34/40. Mein Jesus schweigt 35/41. Geduld! Wenn mich falsche Zungen stechen 36a/42. Und der Hohepriester antwortete 36b/42. Er ist des Todes schuldig! 36c/43. Da speieten sie aus 36d/43. Weissage uns, Christe 37/44. Wer hat dich so geschlagen 38a/45. Petrus aber saß draußen 38b/45. Wahrlich, du bist auch einer 38c/46. Da hub er an, sich zu verfluchen 39/47. Erbarme dich 40/48. Bin ich gleich von dir gewichen 41a/49. Des Morgens aber hielten alle Hohepriester 41b/49. Was gehet uns das an? 41c/50. Und er warf die Silberlinge in den Tempel 42/51. Gebt mir meinen Jesum wieder! 43/52. Sie hielten aber einen Rat 44/53. Befiehl du deine Wege 45a/54. Auf das Fest aber hatte der Landpfleger Gewohnheit 45b/54. Laß ihn kreuzigen! 46/55. Wie wunderbarlich ist doch diese Strafe! 47/56. Der Landpfleger sagte 48/57. Er hat uns allen wohlgetan 49/58. Aus Liebe will mein Heiland sterben 50a/59. Sie schrieen aber noch mehr 50b/59. Laß ihn kreuzigen! 50c/59. Da aber Pilatus sahe 50d/59. Sein Blut komme über uns 50e/59. Da gab er ihnen Barrabam los 51/60. Erbarm es Gott! 52/61. Können Tränen meiner Wangen 53a/62. Da nahmen die Kriegsknechte 53b/62. Gegrüßet seist du, Jüdenkönig! 53c/62. Und speieten ihn an 54/63. O Haupt voll Blut und Wunden 55/64. Und da sie ihn verspottet hatten 56/65. Ja freilich will in uns 57/66. Komm, süßes Kreuz 58a/67. Und da sie an die Stätte kamen 58b/67. Der du den Tempel Gottes zerbrichst 58c/67. Desgleichen auch die Hohenpriester 58d/67. Andern hat er geholfen 58e/68. Desgleichen schmäheten ihn 59/69. Ach Golgatha 60/70. Sehet, Jesus hat die Hand 61a/71. Und von der sechsten Stunde an 61b/71. Der rufet dem Elias! 61c/71. Und bald lief einer unter ihnen 61d/71. Halt! laß sehen 61e/71. Aber Jesus schriee abermal laut 62/72. Wenn ich einmal soll scheiden 63a/73. Und siehe da, der Vorhang im Tempel zerriß 63b/73. Wahrlich, dieser ist Gottes Sohn gewesen 63c/73. Und es waren viel Weiber da 64/74. Am Abend, da es kühle war 65/75. Mache dich, mein Herze, rein 66a/76. Und Joseph nahm den Leib 66b/76. Herr, wir haben gedacht 66c/76. Pilatus sprach zu ihnen 67/77. Nun ist der Herr zur Ruh gebracht 68/78. Wir setzen uns mit Tränen nieder

  • Contents Listing (from Wikipedia)
Year/Date of CompositionY/D of Comp.1736, revised 1742, 1743-46
First Performance.1736-03-30 in Leipzig, Thomaskirche, rep. 1742-03-23 in Leipzig, Thomaskirche
First Publication.1830 - Berlin: Schlesinger
Librettist Christian Friedrich Henrici (1700-1764), as Picander
Language German
Dedication Good Friday (Parasceve)
Composer Time PeriodComp. PeriodBaroque
Piece Style Baroque
Instrumentation 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed choruses (SSAATTBBB), 2 orchestras
InstrDetail

Cast

First Maid (soprano)
Second Maid (soprano)
Pilate's Wife (soprano)
Evangelist (alto)
Witness 1 (alto)
Witness 2 (tenor)
Jesus (bass)
Peter (bass)
Judas (bass)
Pilate (bass)
Pontifices I (bass)
Pontifices II (bass)

Mixed Choruses (SATB/SATB)
Orchestra 1

2 flutes, 2 oboes (also both oboes d'amore and oboes da caccia), strings, continuo

Orchestra 2

2 flutes, 2 oboes (also both oboes d'amore and oboes da caccia), viola da gamba, strings, continuo

Primary Sources Bach Digital (source list)
External Links Wikipedia article
Bach-Cantatas.com
German to Portuguese translation
Extra Information The numbering system used here is that of the BWV catalog. See the wikipedia article about the structure for alternate systems

Passions and Oratorios (BWV 11, 244-249) by Johann Sebastian Bach
  • BWV 244 Matthäuspassion
  • BWV 244a Klagt, Kinder, klagt es aller Welt
  • BWV 244b Matthäuspassion (Early Version)
  • BWV 245 Johannespassion
  • BWV 246 Lukaspassion
  • BWV 247 Markuspassion
  • BWV 11 Lobet Gott in seinen Reichen (Ascension Oratorio)
  • BWV 248 Weihnachts-Oratorium (Psalm 117)
  • BWV 249 Cantata
  • BWV 249/1 Kommt, eilet und laufet
  • BWV 249/2 Oster-Oratorium
  • BWV 249a Entfliehet, verschwindet, entweichet, ihr Sorgen
  • BWV 249b Verjaget, zerstreuet, zerrütet, ihr Sterne

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